Index

Entries in Writing Down the Bones (3)

Thursday
Feb142013

What's it all about?

 

I wrote my first thank you letter in either grade one or two. An aunt in England used to send me a book every Christmas, wrapped in brown paper and tied with thin cotton string. We didn’t have a lot of relatives and she was the only one who sent presents, so my gratitude was heartfelt.

Word count: 329   Reading time: 1-2 minutes

I never did meet this great aunt, this sister of someone married to someone related to my father. She was a stranger in a faraway land and I studied her neat handwriting and wondered at the magic that connected us. The annual event of her gift spurred a tradition that became a lifelong habit of letter writing.

This habit peaked when I moved to Australia in 1987. In those pre e-mail days in Melbourne and Sydney, I wrote 8 to 10 letters a week. Which leads me to wonder, why did I write so profusely? I’ll let Anne Lamott answer that: [I] was desperate to communicate, to edify or entertain, to preserve moments of grace or joy or transcendence, to make real or imagined moments come alive.  (Bird by Bird)

Long before written language evolved, people sought to record their stories, first in cave paintings and then, 10,000 years later, in petroglyphs.

Laying down our stories has been a part of human psyche for a long time. Maybe we do this because of the reasons articulated by Natalie Goldberg in Writing Down the Bones, “[…] the secret ego truth is I want to live eternally and I want my people to live forever. I hurt at our impermanence, at the passing of time. […] I write out of hurt and how to make hurt okay; how to make myself strong and come home and it may be the only real home I’ll ever have.”

What are your memories of your earliest writing? What drives you to keep writing now? Do you know young people and what do you do to encourage their literacy?

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Painting of a bison in the cave of Altamira photo by: Ramessos

Friday
Aug242012

A Basket Full of Miracles

 Word count: 486                      Reading time: 2-3 minutes

When I learned to scuba dive in the Pacific Northwest, it wasn’t a laidback, warm water experience. The environment posed the biggest threat so I’d don my 40 lb drysuit, heft my 25 lb weight belt, and pick up my 35 lb tank. Then I’d start the long descent to the beach. Adrenaline lightened my load as I anticipated sinking into the dark, frigid ocean. After an exhilarating, sometime dangerous, dive I’d surface and have to haul all that gear back to where I parked.

As I picked my way across kelp-slippery rocks and up rough steep tracks, I’d tell myself not to look at the long stretch that separated me from my car. I’d get there, one step at a time. When did I forget that simple philosophy?

Over the years I’ve amassed a small collection of writing reference books. Trouble is I sometimes buy them, read a random chapter or two, and then file them. Recently, I’ve added a few more to the collection. Then I set them around the house like land mines: on a side table in the living room, on the mantelpiece, beside the bed and on my dresser – anywhere that I am likely to trip over them. They aren’t going back onto the shelves until I’ve finished them, cover to cover. The ones I’m reading (simultaneously) right now are:

  • Writing Down the Bones – Natalie Goldberg – I love her theories of free writing for a more physical connection with the work and to unearth long-buried feelings.
  • Reading Like A Writer – Francine Prose – I had forgotten her invaluable advice on how to get the most out of the hours spent lost in fiction. A must for anyone who wants to write.
  • Self-Editing for Fiction Writers – Renni Browne & Dave King – I wish I’d read this years ago. It gives such a different approach to revising one’s own work.
  • Steal Like An Artist – Austin Kleon – this is my latest and I’m reading it for a second time this summer because he offers grounded, often humorous, advice on everything from an artist’s social life to his or her financial management.

I found many treasures had been buried in my bookshelves for far too long. Now they are helping me as I revise my YA novel, due for release in Spring 2014.

So, just like I climbed up the beach with my scuba gear, one step at a time, I’m working through them, page by page. In fact it’s almost Bird By Bird. Thank you Anne Lamott. It’s amazing how much we can do when we concentrate on what is in front of us and stop thinking about the faraway goal.

What books are you reading to help your craft? Do you buy reference books, skim them, and then set them aside for another day? Are there any more books I should be reading?

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Scuba photo: Cathy Komar

 

 

Friday
Jun152012

Let's get physical

Word Count: 253                   Reading time: 1-2 mins. 

In her book Writing Down the Bones, Natalie Goldberg asserts Writing is physical and is affected by the equipment you use. She advocates the importance of writing with pen and paper, an approach supported by Patrick E. McLean in his light-hearted essay A Defense of Writing Longhand. Both these thinkers agree that writers need to play with the physical, keyboard-free aspect of writing.

Among other things, Goldberg suggests writing on a big drawing pad because she says our tools affect the way we form our thoughts. What is a bigger, more essential tool in writing than our body and brain? In Writing is not Healthy A.J. Jacobs outlines the health risks associated with being a writer. They are many. If you’re a worrier I suggest you don’t read it. His article reminded me of this quote from Herophilus:

When health is absent, wisdom cannot reveal itself, art cannot manifest, strength cannot fight, wealth becomes useless and intelligence cannot be applied.

I constantly have anywhere from 3-5 manual writing notebooks on the go. Occasionally I pick up a pencil to sketch one of my characters or scenes, so I guess I meet the use-a-different tool challenge. The instrument that needs greater care is my body. On that note I think I’ll stop typing and go for a walk.

What physical tools do you do use to dig deep into your psyche? What about that most essential piece of equipment – your body? How do you keep yourself strong and fresh for writing?

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Photo by: Dmitry Maslov