Are you a thief?

Walt Disney’s Cinderella was based on a fairy tale collected by the brothers Grimm. Marissa Meyer’s wonderful adaptation of the same story, Cinder, made the New York Times bestseller list in 2012.

Word count: 305           Reading time: 1-2 minutes

I bet Cinderella, as published by the brothers Grimm in 1812, was only one of many versions being told by the oral storytellers of the day.

‘Filter any single incident through another set of eyes, it becomes a different story’ Ellen Hopkins, Flirting with the Monster.

Helen Fielding watched the 1995 BBC drama, Pride and Prejudice, and re-worked the plot into her classic novel Bridget Jones’s Diary. She even based the BJD romantic lead on Colin Firth who played Mr. Darcy to Jennifer Ehle’s Elizabeth Bennet. In doing so Fielding created a mini-industry that just keeps paying and paying.

Picasso said it best: art is theft. But there is good theft and bad theft, and writer Holly Lisle gives some hints here: How to (legally and ethically) steal ideas on the difference between the two. Austin Kleon offers more guidance in his book Steal Like an Artist:

Good theft: honours, studies, credits, transforms, and remixes. It takes from many sources, not just one.

Bad theft: degrades, skims, plagiarizes, imitates, and rips off. It takes only from one source.

David Bowie said, “The only art I’ll ever study is stuff that I can steal from,” and most of the time, that’s how I pick my reading list. I lift ideas from other writers and if my remix is detected, I hope I've done justice to the original work. 

Have you stolen any good ideas or techniques lately? Have you read an author that made you break out in goosebumps and if so, did you do something to honour that experience? How do you stop your admiration of someone’s work from slipping into plagiarism?

Carbonless Copy

Word count: 355             Reading time: 1-2 mins 

In her Novel Immersion Workshop in 2009, Pearl Luke mentioned that when she finds a novel she admires, she often types certain passages, verbatim, to get a feel for that writer’s magic. That comment chilled me because I thought if I did the same thing then surely I’d end up plagiarizing, unintentionally or otherwise. A few years down the road two different writing coaches advised me to copy-type from novels in my genre as a method of learning what works.

Could so many experts be wrong? I decided not and opened a book by YA writer John Green and started typing. I soon realized enormous inspiration lies not just in reading good writers but in mimicking them, at least for a short while. “It’s not where you take things from – it’s where you take them to,” said Jean-Luc Godard.

Now I copy-type every week, at least a page or two. The trick is to internalize the masters’ skill, not to ape their words or stories. As Ecclesiastes 1:9 says there is nothing new under the sun and Jim Jarmusch agrees. “Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. […] Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent.”

And, if you’re really worried about plagiarism, the Grammarly website offers you a Plagiarism Checker. I tried it with a few paragraphs from Green’s book Looking for Alaska. The Checker reported unoriginal text detected. Then I put in excerpts from Ellen Hopkins, Sherman Alexie, and Sarah Dessen. In each instance Plagiarism Checker recognized that work was not original to me. When I checked my own work it reported this text in this document is original. Phew.

Have you ever copied anyone else’s work for practice? What did you learn from the experience?

PS if you need some ideas on how to widen your inspiration, look no further than the book How To Steal Like An Artist by Austin Kleon. I bought my e-copy only yesterday and it’s already helped with this blog.

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Original art: (c) Dawn Hudson

A hard-hearted reader

 

Word count: 347              Reading time: 1-2 mins.

Recently, as I struggled to read a library book, I found someone’s forgotten bookmark at page 50. I fanned through the rest of the pages, looking for any traces of wear. They were pristine, which should have been a warning. It was a new release and I had waited weeks for it so this sign of early abandonment intrigued me. In spite of that alarm bell I kept reading. Finally I’d invested so much time I refused to put it aside. I finished it.

Victor Hugo said, “Short as life is, we make it even shorter with the careless waste of time.” To me, that book was a waste of time. I should have held to my usual rule: if a plot or character doesn’t grab me in the first half hour it’s time to move on. I won’t let a bad book rob me of precious minutes and hours again.

The other side of this coin is when I fall for a book, I fall hard. I borrow from the library to test-drive literature. When I find something I love, I buy it because I know I’ll want to read it more than once.  

So can I answer that party question: ‘what is your favourite book’? Nope. I can’t even list my five favourite books or authors. Neil Gaiman summarized my feelings when he said, “Picking five favourite books is like picking the five body parts you'd most like not to lose.”

I can list my five favourite books of the past six months, the books I have bought or will buy, because they have transported me to exciting new places, times, and emotions. In no particular order they are; The Fault In Our Stars (John Green), Perfect (Ellen Hopkins), The Winter Palace (Eva Stachniak), Plain Kate (Erin Bow), and All Good Children (Catherine Austen).

Do you have one definitive favourite book or author? What are your criteria for a good read? Are you perseverant with dull books, pushing through to the end even when they don’t enchant? If not, when do you cut your losses?

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 Photo by: Tamás Ambrits