What do you call it?

What's in a name? that which we call a rose

By any other name would smell as sweet;

Romeo and Juliet, Act II Scene II 

Predictably, this principle is not widely embraced by the publishing industry. After all the title of a book sets the tone, hints at its genre and is the first opportunity to draw the reader in.

Word count: 390            Reading time 1-2 minutes

Some members of my Young Writers’ Club were surprised to learn that the author doesn’t always get to name his/her own work but the trend isn’t new. When F. Scott Fitzgerald submitted his novel Trimalchio in West Egg, to Charles Scribner’s Sons, the publishers hated the title. Only at the insistence of editor, Maxwell Perkins, did he change it to The Great Gatsby.

I’m thinking about this a lot lately because my first novel is in the structural editing stage. Once this is completed, I suspect I’ll be asked to offer alternative titles for it. I’m working on that list now and I’ve found several helpful sites:

• I might do what some famous writers have done and take my title from existing literature (examples from that page include: East of Eden, Of Human Bondage, Tender is the Night)
• If my novel were fantasy, I’d go here: Random Fantasy Title Generator. In fact I pushed the generator button several times just for the fun of it.
• I’ll consider Scott Berkun’s hints and keep my titles short, provocative, memorable, and easy and fast to say.

The main thing most sites seem to agree on is the need to create a number of alternatives to work through. Frankly I like Lockdown for my work-in-progress (wip). It’s short and evokes the dystopian theme of the novel. Maybe I can do better though so I’ve started a list and when the novel is ready for the final spit and polish, I’ll have a number of alternatives to offer Great Plains Publications. In the meantime, to quote Raymond Chandler in a letter to Alfred A. Knopf, “I’m trying to think of a good title for you to change.”

Whatever my novel is eventually called, I hope it will be a sweet read.

How do you arrive at the titles for your work? Have you picked a perfect one, only to have it changed? Are you making a list for your wip, or are you waiting until it’s finished for more inspiration?

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Photo of Fragrant Rose Cloud from Wikimedia Commons

Making it alone

 Word count: 324                                Reading time: 2 mins

Until I met my husband I was unaccustomed to asking for help with anything. Ever. Years together taught me to accept his assistance with challenges that I would formerly have considered mine and mine alone.  However, Alan’s not a writer so he couldn’t help much with this compulsion once it was unleashed.

Never mind, I thought. I’ll embrace the cliché; I’ll be a writer scribbling away in a small dark room with little help from the outside world. <sigh> It always amazes me that as I get older I remain chronically naïve, clueless even, about some aspects of life. When I broke out of my self-imposed isolation and started taking courses in 2009 my writing improved in leaps and bounds.

As a recent article in the New Yorker pointed out, there will be no Maxwell Perkins to encourage today’s writers to reach for the sky. The days of publishers grooming new talent are long gone. We have to find our own mentors, usually at a real financial cost. But find them we must. Just like musicians need external ears, writers need independent eyes to excel. And, as always with writing, we must remember this is a highly subjective business. The top mentors and coaches in all disciplines have blind spots. It’s up to the mentee to listen, learn, and then choose the best path. 

Case in point: the gold medal high jumper from the 1968 Olympics in Mexico City. If Dick Fosbury hadn’t defied his coaches, high jumpers might still be using the Straddle technique to clear the bar. He revolutionized the sport by hanging on to his vision and developing the Fosbury Flop.

Fosbury’s achievement also illustrates an irony in all this; coaches and mentors can help us reach our potential but when we jump, we jump alone.

What are the roses and thorns of working alone? Of working with a mentor or a coach? What did you look for when you chose your coach or mentor?