Once more - with feeling!

Word count: 329                                                   Reading time: 2-3 mins

Australian author P.L. Travers said, “A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.” She learned so much that her Mary Poppins book series has realized every author’s dream: it thrives long after her death.  

World Read Aloud Day came and went this week and I wondered how many writers were even aware of it. [I wasn’t until today.] Its primary focus is global literacy and surely that is important to writers. Who are we without readers? Who are we without listeners?

Reading aloud lets writers pick up weasel-words that sneak in and repeat themselves monotonously. It lets us hear the flow. It’s difficult at first so when we sit down in writing groups and stumble through our stories and poems, we hope our listeners are forgiving. A reasonable expectation for emerging writers.

What about readings by professional writers? Surely they work to a higher standard. On our epic Outback adventure a few years ago, my husband and I took along Bill Bryson reading his book Down Under. His wry style enlivened hundreds of miles of long dusty roads. When Angie Abdou read at the Vancouver International Writers’ Festival last October her quarrelling characters sprang to life around her.

But I’ve also squirmed through sessions where it sounded like the writer was seeing the words for the first time. One writer in particular turned her head to the page and obscured any view of her face with a broad-brimmed hat. She didn’t lift her eyes once as she mumbled her way through pages of prose. Shouldn’t writing professionals polish their reading before they step in front of a mic? After all, a writer is only half the performance, the other half is the audience.

Have you read your work aloud recently? Did you discover things in it that you hadn’t seen before? Have you heard a writer bring their work to life with a spirited reading?

***

Photo: somethingway

Quiet Please. Woman at Work.

Word count: 345                  Reading time: 2-3 mins

The noise is killing me! I’m not talking about auditory noise, I’m talking about psychological noise that can paralyze a writer. I’ve got books, magazines, and audio files on how to write. I’ve taken courses online and in the flesh. Whenever I sit down to the keyboard I can channel a dozen voices on how to proceed. All of them contradict each other.

A deafening maelstrom was already brewing when I went to a seminar held by The Writers’ Union of Canada called Secure Footing in a Changing Literary Landscape. Presenter Ross Laird said that the internet is the single biggest change in publishing since the invention of the Gutenberg Press. Writers need a platform he insisted. I answered his challenge; I reserved my own domain name.

Eventually I even launched this website which increased the level of noise around me. Then I had to find readers for it. Answer: Twitter. These two steps turned up the volume even louder.

Twitter, at any given second, has people offering topnotch advice and links to highly relevant blogs. It is such an irresistible force that I have to discipline myself to look at it no more than once a day. Otherwise the voices I want to hear – those of my characters – are drowned.

In the Writer’s Digest magazine, Writing for Kids & YA, Sherman Alexie offered this advice “Every word on your blog is a word not in your book.” There’s a voice I need to listen to! I’m going to stop this right now, right here. It’s time to get back to writing. Until the next time I hear the sirens call.

Can you hear through all the noise around you? What voices are you listening to?

 ***

With a special thank you to Jessica Klassen for the January 26^th tweet that inspired this blog.

PS As if to prove my point, when I tried to post this blog 6 hours ago, the webhost's software kept locking me out. But what's half a day lost in the great time drain of the internet?

Photos by: (above) picstudio (left) drbimages