Are you a fair weather writer?

Word count: 374            Read time: 1-2 minutes

The skies over Vancouver cleared last week and the rainforest deluge stopped. These sunny winter days are stunning but I miss the downpour that traps me inside. Dark wet weather is the perfect backdrop for my writing. Regardless, I work every day because, “A writer who waits for ideal conditions under which to work will die without putting a word on paper.” E.B. White

Today’s blinding sunshine didn't keep me from my novel even though I wanted to lace on my boots and hike through the forest. Instead I struck a compromise: once I’d broken through the rock wall in the plot in front of me - okay maybe chipped a little hole in it - I could go for a walk. But first I worked. "The fact is that writing is hard work, and sometimes you don't want to do it, and you can't think of what to write next, and you're fed up with the whole damn business. Of course there will be days when the stuff is not flowing freely. What you do then is MAKE IT UP. I like the reply of the composer Shostakovich to a student who complained that he couldn't find a theme for his second movement. 'Never mind the theme! Just write the movement!' he said." Philip Pullman

In our last seven weeks as residents of Australia, the LM and I toured our favourite spots, spending a few days here, a fortnight there, ten days with friends in the Hunter Valley. That was when I wrote my first YA novel. The weather was heavenly, the beaches were seductive and the wine flowed; it was Australia after all. Yet every day, no matter what distractions beckoned, I wrote for at least an hour. By the time we got on the plane to Canada, I had a viable first draft; it was that easy. Of course it would have been even easier not to have bothered but then I would only have had memories of those last weeks, not a SFD.

What propels you to stay on course with your project? When does the weather help you write and when does it offer a reason to play hooky? What deals do you make with yourself when temptation calls?

Take a deep breath

                                    

Word count: 285                             Reading time: 1-2 mins.

No man is an island entire of itself wrote John Donne. The advice-to-writers’ take on that quote is: if you want to succeed you must join a writers’ group. This advice pops up frequently and, for all the benefits group membership promises, there is a potentially disastrous downside: the destruction of your work.

I have seen a writer leave a meeting early, only to have another member of the group turn to the rest and say with a sneer, “Who’s going to want to read something like that?”

I sat speechless and wondered, “Is that how my prose will be discussed when I am out of earshot?”

Likewise I have had fiction shredded by members of an online group who felt that anyone else’s success detracted from theirs. I left that group quickly and didn’t bother to report back when the two much-criticized stories won awards.

Julia Cameron in her book The Writer’s Life says, “I have seen more good writing destroyed by bad criticism than I have ever seen bad writing helped by good criticism.”

Anyone who’s ever had the best from a writing group – support, companionship, and encouragement – may not understand the damage a bad group wreaks. Anyone who joins a group needs to proceed cautiously and remember the words of E.B. White A writer’s courage can easily fail him…I admire anybody who has the guts to write anything at all.

I agree writing does take courage but sharing it takes even more. How do you avoid feeling stranded at the edge of the world with your work? Do you share with a group or only let a few select readers have a look?

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Illustration by Harmsen Van der Beek