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Entries in Suw Charman-Anderson (2)

Thursday
Jan312013

Is your writing as strong as good tea?

The patience of tea refers to its quality after being brewed many times. Good teas – patient teas – maintain complexity and flavour with multiple infusions. The flavour evolves each step of the way, as Joshua Kaiser one of the world’s leading tea experts demonstrates here.

Likewise, patience builds a good writing career.

(Word count: 342                Reading time: 1-2 minutes)

  • First we have to learn to write well. Consider Malcolm Gladwell’s 10,000 hour rule: it suggests that 90 minutes a day practice for twenty years is needed to master something. I’m unsure if I agree with that onerous a requirement but I do know that writing proficiency demands practice, as least as much as sports, music, or art. There is no way out of this.
  • Then we have to wait for recognition.
  • While the first two processes are underway, we must dip into the world of social media where, Suw Charman-Anderson reminds us, maintaining a blog or website is a long game. It can take months or even years to develop a strong following.

In other words, if you want to carve out a career as a writer, be prepared to cultivate the virtue of patience. Tolstoy said, “The two most powerful warriors are patience and time.” Right now the publishing industry is battling for sales in a constantly changing, more-distracted-than-ever market. Prepare for a wait. How?

  • Keep writing.
  • Keep studying the craft of writing.
  • Throw yourself into new experiences and enjoy the moment, embrace the now. It will ultimately feed your writing.
  • Meditate. Seriously: take time to breathe and relax.
  • Stay strong and determined – two essential skills.
  • Slow down. There are shortcuts but, if you take them and publish or submit before a novel is well-polished, you may burn a lot of bridges.

Impatience is the intolerance of anything that thwarts or delays us. It’s a wonderful quality in a character. In a writer a lack of patience crimps the prose and taints the voice.

What are you waiting for in your writing life? Are you like patient tea, transforming with multiple infusions of practice and feedback?

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Photo by: Ragne Kabanova

Thursday
Oct112012

What I meant to say was...

 

Word count: 428                         Reading time: 1-2 minutes

I’ve been told – and found it on the internet so it must be true – that the best way to wash a car is to do it twice. I don’t have a lot of patience with cars so mine’s lucky if it gets a single wash every couple of months. I’m like that with a lot of jobs. I’ll never create a dessert so beautiful that guests won’t want to eat it. I’ll never produce an awesome needlepoint or restore an old piece of furniture. I know. I’ve tried. These are all endeavours where the that-will-do-factor cuts in really early.

But writing? A different story: the more I do it, the greater my patience is for rewriting and the easier I accept other people’s input. So I  understand what Bernard Malamud meant when he said, “I would write a book, or a short story, at least three times--once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say.”

When writers forget this essential part of the writing process and rush to bring their work to the world by way of poorly-edited self-pubbed books they risk terrible remorse down the road as discussed by Suw Charman-Anderson of Forbes. They risk alienating readers who might have enjoyed their work if they had just given it a little more patience.

I'm sure there are writers whose flawless first drafts are ready for global release but John Irving’s words resonated with me: “More than a half, maybe as much as two-thirds of my life as a writer is rewriting. I wouldn't say I have a talent that's special. It strikes me that I have an unusual kind of stamina. I can rewrite sentences over and over again, and I do. . . . And I think what I've always recognized about writing is that I don't put much value in so-called inspiration. The value is in how many times you can redo something.”

I’d be delighted if I only had to write things three times like Malamud or was even close to Irving’s talent. But still, I do have the stamina to rewrite often, very often. And I hope, at the end of the process, whatever I offer the world shines like it’s been washed twice and well polished.

How do you feel about rewriting? Have you written your story at least three times? Does it finally say what it must?

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Photos:      Junkyard Car by Melissa M. Morris

                 Old Truck by Ron Hilton