Pick and choose

 Word count: 460                         Reading time: 1-2 mins

Write it on your heart that every day is the best day in the year. Ralph Waldo Emerson.

When summer finally arrived in the Pacific Northwest (last week) I was on Salt Spring Island. Summer on SSI means swimming in lakes, hummingbirds thrumming, eagles whistling, and hiking the gentle mountains in the company of a golden dog. Roadside farm stands groan under the weight of organic produce and at Artspring, the island’s main arts venue, there are concerts and exhibitions.

On the other sides of this heavenly coin:

• it takes a half a day to get to SSI from Vancouver and BC Ferries seems to have forgotten its mandate to be part of the highway system as the fares ratchet ever higher.
• the house here uses aquifer well water. The rain stops in June and doesn't start again until September. That means constant vigilance about water use, listening for the sound of the pump which signals the time to turn off the taps. Showers are short. A soaker tub would be an obscenity.
• the gorgeous birds that sing outside the window feed on a wide array of insects. At night the thousands of bugs that didn't end up as bird food swarm through the screens and cracks in the doors and congregate in the bedroom, throwing themselves in my face as I attempt to savour the best moment of the day, my reading time.
• lake access is limited and the small beaches are often crowded.
• spiders lay eggs in the corners as soon as I dust them (which isn't often).

None of that matters. When I think of SSI in summer I remember only the very best parts: the great walks, the buzz of the farmer’s markets, and the soothing silence at night, broken only by the call of the barred owls. As I hiked up Mount Maxwell on Sunday a loose sock rubbed a blister on my heel, but I was too taken by the fragile Garry Oak meadow to notice until much later.

So let it be with my writing. I have to choose to let my strong scenes move me forward and forget about the times that the words fall flat and lifeless on the page. I have to remember the idyllic moments when the stories flow from my fingers and forget the moments when dull clichés launch themselves at me like desperate insects at a slim beacon of light. I have to choose today as the best day ever to write.

What choices are you making today to keep yourself motivated? When you feel the blister of discouragement do you look ahead to the next bloom of inspiration or do you stop hiking for a while?

***

Photo by: Alan Bolitho, LM 

Carbonless Copy

Word count: 355             Reading time: 1-2 mins 

In her Novel Immersion Workshop in 2009, Pearl Luke mentioned that when she finds a novel she admires, she often types certain passages, verbatim, to get a feel for that writer’s magic. That comment chilled me because I thought if I did the same thing then surely I’d end up plagiarizing, unintentionally or otherwise. A few years down the road two different writing coaches advised me to copy-type from novels in my genre as a method of learning what works.

Could so many experts be wrong? I decided not and opened a book by YA writer John Green and started typing. I soon realized enormous inspiration lies not just in reading good writers but in mimicking them, at least for a short while. “It’s not where you take things from – it’s where you take them to,” said Jean-Luc Godard.

Now I copy-type every week, at least a page or two. The trick is to internalize the masters’ skill, not to ape their words or stories. As Ecclesiastes 1:9 says there is nothing new under the sun and Jim Jarmusch agrees. “Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. […] Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent.”

And, if you’re really worried about plagiarism, the Grammarly website offers you a Plagiarism Checker. I tried it with a few paragraphs from Green’s book Looking for Alaska. The Checker reported unoriginal text detected. Then I put in excerpts from Ellen Hopkins, Sherman Alexie, and Sarah Dessen. In each instance Plagiarism Checker recognized that work was not original to me. When I checked my own work it reported this text in this document is original. Phew.

Have you ever copied anyone else’s work for practice? What did you learn from the experience?

PS if you need some ideas on how to widen your inspiration, look no further than the book How To Steal Like An Artist by Austin Kleon. I bought my e-copy only yesterday and it’s already helped with this blog.

***

Original art: (c) Dawn Hudson

Make No Mistake

                                                           

 Word count: 248          Reading time: 1 minute

To enter the Church of the Nativity in Bethlehem, it’s necessary to bow to pass through the Door of Humility. As a writer who seriously wants to get better, I’m developing a supple spine from bending through that door often. I’ve had a lot of practical lessons in writing and the most valuable have not been from seminars or courses; the greatest improvements have come from critiques.

 To be truthful, the opportunity for improvement isn’t apparent right away. First there’s disbelief that what I wrote wasn’t perfect. Next there might a dark hour or so of resentment when I think that the reader doesn’t appreciate my cleverness. Finally I slip through the door and see that the feedback is more than well-intended, it’s enormously helpful.

Humility makes us accessible to learning, to new ideas. Unlike insecurity which whispers that nothing we ever do will be good enough, or vanity that blinds us to other suggestions, humility reminds us that there is work to be done and alternate ways of doing it. When a manuscript comes back covered in notes, I try to remember the words of Alexander Pope No one should be ashamed to admit they are wrong,  […], that they are wiser today than they were yesterday. I’m a much wiser writer today than a year ago, which is to say I’ve made a lot of mistakes.

How is your writing caper going? Are you bowing through the Door of Humility as you progress?

 ***

Photo by: Renewer

Signed, Sealed, Delivered

Word count: 437                                                           Reading time: 1-2 minutes 

How to get a book deal:

• write a novel
• give it to a few friends to read
• revise accordingly
• send a submission to an agent or publisher
• sign the contract.

That’s how it works for some authors and there is an entire chapter devoted to them in the book Life’s Not Fair. If you google “how to get a book deal” (over a billion hits) you’ll quickly realize how elusive a contract can be.

Four weeks ago, on a cold, grey morning that was more like January than June, my phone rang as I was coming out of the dentist. When Anita Daher said that Great Plains Publications wanted to offer me a contract on my most recently-completed YA novel (tentatively titled Lockdown), I looked up at the cloud-shrouded mountains and decided that the weather had never been finer. Two nail-biting weeks later a soft copy of the contract arrived and there was my name, Maggie Bolitho, hereinafter called the Author.

 Last week, more thrilling still, the hard copy of the contract arrived. After another read, front-to-back, I signed page 8 and returned it. Scheduled release date for the book: Spring 2014.

I wrote the SFD of Lockdown just over 18 months ago (NaNoWritMo 2010). Unlike the lucky authors who hit their stride right out of the gate, it’s taken a while for me to get this manuscript ready for prime time. My warm-up included three or four dozen short stories, two other YA novels, two adult novels, and I even experimented with futuristic Sci Fi (the less said bout that, the better). When my energy stalled, I took courses and joined online and R/L groups. I paired up with a tireless writing partner who is both forthright with her insightful critiques as well as encouraging. For over a year I worked with writing coach, Bruce McAllister, who helped me polish my work and hone my query letter to the point where it finally became market-ready. I’ve scaled stout walls over the past few years. 

So now I’m at the next bend in the road and I can see a few hurdles ahead. I’m primed and ready. I’ve been preparing for this part of the adventure for a few years now.

Where are you in your writer’s journey? Are you laying track and looking forward to pulling the entire novel together? Are you finished and revising, getting as much feedback as you can before you submit the work to the market? Or are you in the arduous process called submission, waiting for your phone call?

Maggie Bolitho, Author